Audio Technica AT2020 (Cardioid Condenser Microphone)


短片示範:適合人聲 / 樂器

Hey brother (Avicii Cover) – Oriol i Alícia

Enregistrat amb el màgic micròfon Audio Technica AT2020 amb la sensibilitat a casi el màxim. Teclat per línia. Esperem que us agradi 🙂

Fender CF-60 acoustic guitar :: Demo, Soundcheck

Find me on facebook: Demo of Fender CF60 acoustic guitar. Recorded on Audio-Technica AT2020 condenser microphone. Mic distance is actually much smaller than it looks on the video – it’s around 25 cm. Microphone faced to the guitar body. What You hear is NOT PROCESSED with any sort of EQ – it’s a raw guitar tone.




AT2020 産品規格
20-20,000 Hz
-37 dB (14.1 mV) re 1V at 1 Pa
100 ohms
144 dB SPL, 1 kHz at 1% T.H.D.
20 dB SPL
動態範圍 (一般)
124 dB, 1 kHz at Max SPL
74 dB, 1 kHz at 1 Pa
48V DC, 2 mA typical
52mm X 162mm (直徑 X 長度)
攜存袋; 專用防震架


  • The price/performance standard in side-address studio condenser microphone technology
  • Ideal for project/home-studio applications
  • High SPL handling and wide dynamic range provide unmatched versatility
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

Product Description

Audio-Technica stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

AT2020 Specifications
Fixed-charge back plate, permanently polarized condenser
Polar Pattern
Frequency Response
20-20,000 Hz
Open Circuit Sensitivity
-37 dB (14.1 mV) re 1V at 1 Pa
100 ohms
Maximum Input Sound Level
144 dB SPL, 1 kHz at 1% T.H.D.
20 dB SPL
Dynamic Range (Typical)
124 dB, 1 kHz at Max SPL
Signal-To-Noise Ratio
74 dB, 1 kHz at 1 Pa
Phantom Power Requirements
48V DC, 2 mA typical
52mm X 162mm (Diameter X Long)
Output Connector
Integral 3-pin XLRM-type
Accessories Furnished
Stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch

你知道嗎?只要加上 audio interface, 你的有線咪就可以連接到電腦錄音了。

Focusrite Scarlett 2i2 – The 2 in / 2 out USB recording interface
Setting up the Scarlett USB Audio Interface featuring two Focusrite preamps. For a closer look, visit here: ~ Like our video and click ‘show more’ for…
RME Baby Face Pro USB interface
The RME Audio Babyface Pro 24-Channel 192 kHz bus-powered professional USB Audio Interface The exciting new Babyface Pro once again demonstrates RME’s absolute…
PreSonus AudioBox 22VSL USB 2.0 interface
Uploaded by PreSonus Audio Electronics on 2011-08-16. The AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the…
Universal Audio Apollo TWIN Duo
Check out Universal Audio’s breakthrough Apollo Twin High-Resolution Audio Interface, featuring superior 24-bit/192 kHz sound, Realtime UAD Processing, and Unison mic preamp technology -…

Monthly Special
mic18 每個月都有精選優惠,看看今個月有什麼特價吧!

Audio Technica

0 / $0