PreSonus R Series Studio Monitors
For more on the PreSonus R-Series Monitors, click here: http://www.presonus.com/products/R-Series-Monitors The R65 and R80 feature a custom 6.8-inch2 Air Motion Transformer (AMT) tweeter that responds to the subtlest waveforms and the highest frequencies. This allows you to hear the “air” and the greater sense of space that is characteristic of audiophile recordings.
Hear the most subtle details.
The R80 features a custom 6.8-square-inch Air Motion Transformer (AMT) tweeter that responds to the subtlest waveforms and the highest frequencies. This allows you to hear the “air” and the greater sense of space that is characteristic of audiophile recordings. The R80’s transparent and highly accurate sound makes it ideal for use in both commercial and home recording studios as well as broadcast and post-production environments.
- 2-way active AMT design provides articulate high-frequency response and wide stereo imaging
- Custom-designed, 6.8-inch, AMT ribbon tweeter responds to the subtlest waveforms and the highest frequencies
- 8-inch Kevlar LF drivers provide transparent mid- and low-frequency reproduction for clean sound and punchy bass
- Biamped, 150W Class D power amplifier with switching power supply. RF interference, output current limiting, over temperature, turn-on/off transient, and subsonic filter protection
- Acoustic Space settings (Linear, -1.5 dB, -3 dB, -6 dB) compensate for room placement
- RF interference, output current limiting, over temperature, turn-on/off transient, and subsonic filter protection
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R80 uses an incredibly thin, folded Kapton membrane (< 0.01mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.
Wide, consistent stereo image
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1″ dome tweeter, enabling R80 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R80 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it’s less subject to room-anomaly interference, the R80 reacts predictably and sounds consistent from room to room.
Transparent sound
The R80 utilizes an 8″, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency response range. Biamped and driven by a 150W Class D amplifier—making the R Series some of the most powerful monitors in their category—these monitors deliver an open, clear, and less fatiguing listening experience.
Have it your way
You can customize the R80 in several ways. It’s available with black or blue faceplates to fit your studio décor. With balanced XLR, balanced 1/4” TRS, and unbalanced RCA line-level inputs, it’s easy to feed audio to your R80 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R Series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.
Accuracy defined
The R80’s AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio.
- 2-way active AMT design provides articulate high-frequency response and wide stereo imaging
- Custom-designed, 6.8″, AMT ribbon tweeter responds to the subtlest waveforms and the highest frequencies
- 8″ Kevlar LF drivers provide transparent mid- and low-frequency reproduction for clean sound and punchy bass
- Balanced XLR and 1/4″ TRS plus unbalanced RCA inputs provide flexibility for seamless integration into any environment
- User controls
- Acoustic Space settings (Linear, -1.5dB, -3dB, -6dB) compensate for room placement
- Power and safety
- Biamped 150W RMS (LF = 100 W, HF = 50 W), Class D power amplifier with switching power supply
- RF interference, output current limiting, over temperature, turn-on/off transient, and subsonic filter protection
- Energy Conservation Mode (with enable/disable) lowers standby power to <0.5 W
- External mains fuse
- Inputs
- 1- Balanced XLR
1- Balanced 1/4″ TRS
1- Unbalanced RCA
Performance
Frequency Response: 40Hz – 22kHz
Crossover Frequency: 2.6kHz
LF Amplifier Power: 100 W Class D
HF Amplifier Power: 50 W Class D
Peak SPL (@ 1 meter): 107dB
LF Driver: 8″ Kevlar
HF Driver Type: AMT
Diaphragm: 6.8″ 2 (4,400mm2)
Equiv. Diaphragm ø: 3” (75mm)
Input Impedance: 20kOhm balanced, 10kOhm unbalanced
SNR (typical, A-weighted): >100dB
Power
Factory preprogrammed: 100-120V ~50/60Hz or 220-240V ~50/60Hz
Standby Power: < 0.5 W
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
User Controls
Volume Range: A-type taper
HF Driver: Linear, +1dB, -3dB, -6dB
Highpass filter: Linear, 60Hz, 80Hz, 100Hz
Acoustic Space: Linear, -1.5dB, -3dB, -6dB
Energy Conservation Mode: On/Off/Query
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width: 9.5” (241mm)
Depth: 12” (309mm)
Height: 15” (379mm)
Weight: 19.8 lb. (9kg)