【已停產】Yamaha LS9 – 32 digital mixer

LS9: Light Work for Heavy Sound

Although it has high-end digital mixer features, sound, and operability, the LS9 can be comfortably carried and set up by one person.

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With 32 input head amps the LS9-32 can comfortably handle the complex and varied source requirements presented by a wide range of live sound applications, but it’s always reassuring to know that you can expand it up to 64 channels by just adding external preamps and Mini-YGDAI interface cards for those extra demanding line-ups.

• 32 mono mic/line input and 4 stereo input channels, expandable up to 64 channels in two layers.
• 16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
• Compact and light enough for one person to move and set up easily.(19.4 kg)
• Virtual Rack packed with effects and EQ for just about any processing requirements.

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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

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Compact and Lightweight

Although it has high-end digital mixer features, sound, and operability, the LS9 can be comfortably carried and set up by one person. The 32-channel LS9-16 with 16 mic/line inputs weighs just 12 kilograms, while the 64-channel LS9-32 with 32 mic/line inputs tips the scales at 19.4 kilograms. Both versions offer vast potential for temporary setups at small to mid-size concerts and events, as well as for permanent installation in a variety of venues and facilities. The LS9-32 offers higher input capacity and plenty of mix buses that will easily handle even complex sound reinforcement jobs, while the portability and manageability of the LS9-16 make it ideal for smaller events and live performances.

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